The most inspired song is "Tragically Unhip," a self-deprecating, tongue-in-cheek jab that finds Poison taking shots at the music business ("My record company says blow my brains out my head, I'll make the cover of every magazine") and itself ("I keep a poster of Kiss on my wall/ I still curse and smoke and drink and toke and make love in the back of my car. The bouncy potential hit "No Ring, No Gets" proves to be the catchiest song, echoing Flesh and Blood's "Unskinny Bop" in its absurdity. Hook's "Cover of the Rolling Stone," a seemingly drunken jam that gets downright swampy with Michaels' touch. "Sexual Thing" struts the same bold line as "Look What the Cat Dragged In." The album wastes no time getting started, kicking off with Michaels' bluesy harmonica and a dirty groove on "Best Thing You Ever Had" (which includes the memorable line "You may not be religious/but I'll make you see God if you give me a try"). And unlike Native Tongue, which was a forced, plodding disaster (the single "Stand" proved that crotch rock and gospel choirs don't mix), Smile plays like a spontaneous jam session. The most interesting thing about this new Poison album is that it's been locked in a time capsule untouched by trends for six years. days of yore with porn-star accessories and bad-boy attitudes, bringing the tawdry scene full-circle and back into vogue. Chart-topping musicians like Korn's Jonathan Davis and Kid Rock revel in the raunchy L.A. Glam and glitter rock are infiltrating various genres of music, and metal-albeit in an updated form-is dominating again. THE KIDS WHO GREW UP influenced by bands like Poison are the grownups creating the new music and the record execs making the decisions.
People are tired of being so serious, puritanical and blasé all the time. The songs are too frivolous for the scowling alternative-grunge era, but the time of self-important statement rock seems to be over. Perhaps it is a blessing this album was released now rather than in 1994. It's the band's finest work since Open Up and Say.
POISON DISCOGRAPHY WIKIPEDIA CRACK
and More!, the 20-track CD features songs and outtakes from Crack a Smile, B-sides, an unfinished demo and four classics from a 1990 MTV Unplugged session. Recorded and canned in 1994, Crack a Smile became known as the lost Poison album. 131 in the Billboard Top 200, the band still refuses to bow down. and More!, which debuted at a not-so-staggering but respectable No. Still, Poison remained unapologetic for its sexy material and soaring power ballads. The band became passé that year, engulfed by the alternative wave of bands like Nirvana and Pearl Jam. The music industry is a fickle business, though, and 1991's Swallow This Live marked the decline of Poison. So what if Poison was a feel-you-up, feel-good party band-obviously, record buyers weren't complaining. Ahh, went platinum within two weeks of its release.
Lashing out with the single "Nothin' But a Good Time," Poison's sophomore album, 1988's Open Up and Say. Poison combined slinky hell-cat appeal with sleazy rock & roll, and their lyrics were charged with innuendo and double-entendres.Įxplicit singles like "Talk Dirty to Me" and "I Want Action" were the stuff sex-starved teenagers' dreams are made of, while the broken-hearted ballad "I Won't Forget You" struck a solemn promise that resonated deeply in the hearts of those who had loved and lost (then again, maybe it was just another cheesy power ballad).Īlthough Poison was leading the way in the glam-rock sect of heavy metal, many critics regarded the crew as a throwaway with little promise. That was in 1987, and Poison ruled the charts with its glammed-out ambiguous sexuality and raunchy L.A. It took less than a year to wear out my first cassette of Poison's debut, Look What the Cat Dragged In. 11 with Cinderella, Dokken and Slaughter) have made me giddy with anticipation. DeVille are scheduled to stop at Shoreline Amphitheatre on Aug. The new album and the prospect of a summer tour (Bret Michaels, Rikki Rockett, Bobby Dall and maybe even original guitarist C.C.
Now, after years of wrangling and delay, Poison has finally released Crack a Smile. But despite the band's demise with the lifeless 1993 release, Native Tongue, its old albums have remained a guilty pleasure for me. MUSIC WRITERS aren't supposed to like Poison. Talk Dirty to Us: Poison fans have always loved the band's glammed-out, sexed-up, feel-good brand of sleazy rock & roll.
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